Spectral Ornithology was a site specific installation and intervention for Assemblage Theories ‘Circling the Compass’ outdoor exhibition in Royal Park Melbourne 2020. The work explored the hauntological landscape of Melbourne/Naarm through archived and manipulated recordings of locally extinct and threatened bird species played out over speakers. The act emulated an illegal outdoor rave and created a space for more than human inhabitants of the area.

Wood, stainless steel, hair and resin
192 x 165 x 126cm
2019

Found objects, wood and resin
120 x 120 x 120 x 24cm
2019

Inkjet print, enamel paint, wheat paste on freestanding hoarding panels
300 x 180 x 140cm
2019

Cast concrete, stainless steel and ink
90 x 59 x 5cm
2018

Wood, bitumen, enamel paint, polyurethane and found objects
90 x 60 x 28cm
2015

Wood, clay, hot glue, wire, ink, resin, stainless steel and concrete
60 x 170 x 45cm
2019

Polyester, led light, usb fan, nylon pvc tape and found objects
120 x 120 x 85cm
2016

Wood, PVC, paint and polyethylene
69 x 104 x 15cm
2018

Wood, bitumen, polyurethane, enamel and found objects
90 x 60 x 8cm
2015

Wood, metal, glass, concrete, PVC tape and resin
105 x 170 x 45cm
2019

Photographic etching on rag
41 x 29cm
2015

Ink on Rag
45 x 30cm
2016

Found objects, looped video and audio 3:51 sec.
3 x 2.6 x 3m
2014

Photographic etching on Rag
42 x 29cm
2015

Inkjet print, paste & found object
92 x 186 x 36cm
2019

detail

detail

Cast concrete, stainless steel and ink
70 x 59 x 5cm
2018

Unearthed weed matting and plastic ground cover, rope, bitumen, glass and resin.
105 x 140 x 30cm
2016

Found objects and resin
34 x 135 x 34cm
2019

Wood, clay, hot glue, wire, ink, resin, stainless steel and concrete
40 x 162 x 45cm
2019